South African Zionism, one of the most popular Christian movements in modern South Africa, has frequently been interpreted in narrowly indigenous terms, as a local, black appropriation of Christianity, heavily invested in orality and ritual performance. The correspondence of the twentieth-century Zionist minister Isaiah Moteka tells a different story. Moteka honed the craft of letter-writing in order to build and sustain his relationship with Zion, Illinois, the headquarters of the worldwide Zionist church. Through the exchange of letters across the Atlantic, Moteka affirmed his own and his congregants’ place within a multiracial Zion diaspora. And through their complex invocation of overlapping local and global affiliations, Moteka's writings proclaimed his standing both as a regional clergyman and as a cosmopolitan internationalist. In particular, these ambiguous missives became the platform for Moteka's engagement with apartheid-era state officials. Seeking to persuade state officials that his organization fell under ‘white’ supervision, Moteka's letters proclaimed his accreditation by Zion, Illinois, thereby casting himself as a deputy of the worldwide movement. But these documents’ citation of transatlantic loyalties also suggests Moteka's own conflicted loyalties. His letters asserted loyalty to the nation state while they simultaneously subordinated earthly power to the Kingdom of God.

African communities are witnessing a perplexing proliferation of diverse arrangements of mutual security that draw upon old and new solidarities and inventively merge market logic with reciprocal forms of distribution and sharing. The dynamics of such voluntary arrangements and their broader social impacts emerge as increasingly important topics of study. The changing nature of global economies poses challenging questions about the novel relationships between state and market, and the potential of human agency to find alternatives to address growing inequalities. This collection focuses on local institutions of mutual security as alternative – yet also interdependent – forms of distribution that have become particularly relevant in the current era of global financialization and the changing dynamics between private and public social spheres. Various voluntary associations and informal economic networks, financial mutuals and savings/credit groups are becoming central in regulating access to resources and defining patterns of association in African communities. The articles in this themed part-issue explore these social security networks and organizations, concentrating on their ambiguous potential to empower the marginal as well as to contribute to social strife and political conflict. Ethnographic cases from diverse parts of Africa illustrate the impacts of the environments of uncertainty on the emergence of novel forms of association. The contributions suggest that contemporary mutual help arrangements should be seen as being central to the emergence of new social spaces and power configurations in such settings, revealing a broader social dynamic of globalization.

This paper is about the Asante perception and understanding of Asante history as expressed in the apae or ‘praise songs’ of Asantehene (King of the Asante) Osei Tutu Kwame, known as Osei Bonsu (1804–23). As such, it offers an indigenous portrait of kingship and the expectations and behaviours attaching to it in Asante thought. The core of the paper is centred on the role of Osei Tutu Kwame as a leader in war, against the Fante of the southern Gold Coast in 1806–07 and against the Abron of Gyaman (today in the eastern Côte d'Ivoire) in 1818–19. Both campaigns are interpreted from the point of view of Asante thinking about their own historical goals and understandings, and of the fit and proper role of an Asantehene in such matters. Throughout, extensive oral historical materials are used in conjunction with the apae, and a rich range of European sources are deployed as a counterpoint. The paper's claim to originality is that it offers an Asante view, at once intellectual and ideological, of their own constructions of their past and of the nature of their history as they themselves chose to understand it.

Drawing on rarely analysed primary sources obtained during multi-site archival research, this article examines and proposes to reassesses the political rhetoric deployed in pre-genocide Rwanda (First and Second Republics). The article contends that the First and Second Republics' rhetoric was not as ethnocentric as often contended. It argues instead that this rhetoric, cautious and moderate, should be understood as part of regime resilience strategies. Born of questionable origins, the two regimes faced recurrent instability and only imposed their authority questionably on segments of the Rwandan population. Unlike ethnocentric rhetoric calling upon limited ethnic affinities, moderate rhetoric was meant to ‘persuade’ and ‘pre-empt’, in other words extend support for regimes that were uncertain of their grounding.

While from the sixteenth to the early twentieth century there was a lasting and elastic demand for slaves in Central Africa, the practices by which they were acquired had to be adapted to the physical and human terrain, the technologies available and the socio-cultural postures of the predator and prey societies. In this paper, I sketch the changing patterns of these variables in six slaving zones in and around the northern Mandara Mountains. Using historical sources, information from the diary of Hamman Yaji, a Fulani chief and active slaver, and data gathered in the course of ethnographic research in three of these zones by myself and colleagues, I show that in the late nineteenth and early twentieth centuries the extraction of slaves from particular sub-regions within these zones was highly variable, as is evident in the interfaces between the decentralized prey societies and the predatory states. Besides providing fresh perspectives on slaving and evidence for evaluating the constructions of historians, such studies open the way for research on the mutual accommodations to slaving affecting the societies and cultures of both prey and predators.

In Senegal, neighbourhood football teams are more popular than teams in the national football league. The so-called navétanes teams were first created in the 1950s. Since the early 1970s, they have competed in local, regional and national neighbourhood championships. This article considers the history of these clubs and their championships by focusing on the city of Dakar and its fast-growing suburbs, Pikine and Guédiawaye. Research on the navétanes allows an exploration of the social and cultural history of the neighbourhoods from the actor-centred perspective of urban youth. The history of the navétanes reflects the complex interrelations between young people, the city and the state. The performative act of football – on and beyond the pitch, by players, fans and organizers – constitutes the neighbourhood as a social space in a context where the state fails to provide sufficient infrastructure and is often contested. The navétanes clubs and championships demonstrate how young people have experienced and imagined their neighbourhoods in different local-level ways, while at the same time interconnecting them with other social spaces, such as the ‘city’, the ‘nation’ and ‘the world’.

Self-help groups of varied kinds emerge when kinship, territorial governance or other accustomed associations prove unreliable. Interactions that appear helpful and mutual to one party need not always seem so to another. Shaping their character are not just reason and economic or political necessity, but also feelings, some of which humans share with other animals. These feelings often depend, however, on distinctly human symbolic and linguistic contrivances, sometimes of ironic kinds. Mutual help in Africa often spans generations, and by some interpretations both the living and the non-living. Rites and ceremonies can change over time in relation to other ones performed. Whether these conventions strengthen each other, as if by exercise, or substitute for each other in a more hydraulic way as a trade-off is hard to predict or generalize. Input from several sciences, once integrated with humanistic inquiry, may further enrich our understanding.

In the Eastern Cape Province of South Africa, chronic economic uncertainty has seen social relations stretched to breaking point. Informants speak of a ‘war between men and women’. While grinding poverty, death in the shape of HIV/AIDS and suspicion stalk the land, and the project of building the umzi (homestead) falters, hope for the future and, with it, trust between people leach away. One response to such uncertainty is a turn to ritual. Through a nearly relentless schedule of ritual activity that invokes the ancestors and the Christian deity in various forms, Xhosa people attempt to shore up trust, secure ongoing investment in the rural homestead and sustain ties of reciprocity both among rural people and between them and their urban kin. It is also through the staging of these rituals that women, acting together and in support of each other, are increasingly assertive – often in the face of a violent rearguard opposition from men – in their efforts to exercise agency over the differentiated, fragmented and fragile social and economic relationships within their homesteads and across their villages.

This article looks at three generations of choreographic performers in urban Senegal to examine the creative ways in which people develop their bodily skills, not only for the pleasure of innovation, but also to ‘make their way into the world’. In so doing, they produce new social spaces and engage with a multiplicity of existing ones. I suggest that this multiple engagement characterizes contemporary urban Africa, where social mobility is conceived of as multiplying the possibilities of building a decent life in spite of economic hardship. In West Africa, this is in continuity with a long history of social mobility achieved through travel and the acquisition of new skills. Through a multiple engagement with different genres, performers also experiment with new ways of producing choreographic work. At every juncture, the social spaces thus produced either intensify or reduce the connections with global spaces already laid out by previous generations.

This article draws on a political ethnography of the hosting of state ceremonies to engage with erstwhile theoretical accounts of African politics as highly patrimonial and built on a social complicity between African rulers and their citizens. The article examines the patrimonial relationship between Cameroon's head of state, Paul Biya, and political elites of local ethno-regional communities who support the president within the framework of the Cameroon People's Democratic Movement (CPDM) in Anglophone Cameroon. It approaches such elite politics of hosting as part of the vast cultural repertoire of patrimonial domination that emphasizes a spectacularization of proximity and intimacy between the head of state and his coterie of supporting elites as the latter seek development resources for their local and regional communities in exchange for their political support. To account for hosting as a practice of patrimonial elite politics, the article demonstrates the complex logics and pragmatics of ethnic and regional competition as well as the deployment of symbolic idioms of hierarchical relations, mutuality and interdependence in the cultural performance and legitimation of Biya's patrimonial domination of Cameroon.

Homologous origin myths concerning the Tsodilo Hills in north-western Botswana, Polombwe hill at the southern tip of Lake Tanganyika in Zambia and Kaphiri-Ntiwa hill in northern Malawi are examined. Parallels are drawn between the myths, where, in the process of creation, a primal pair in undifferentiated space and time passes through a series of liminal states, thereby bringing structure to the landscape and legitimacy to society in Iron Age Central and Southern Africa. These myths narrate the instituting of social legitimacy in their respective societies based on a resolution of the inherent contradiction between the concepts of authority and power, lineage and land. The structure of rights to possession of land is examined, and the text considers the role of sumptuary goods such as glass beads and metonymic signifiers such as birds within this structure. This study examines the prominence of hilltops as the residence of paranormal power and its association with human authority, and relates this to the archaeological interpretation of the Iron Age site Nqoma (Tsodilo Hills); this is compared with Bosutswe (eastern Botswana), Mapungubwe (Shashe-Limpopo basin), and the Shona Mwari myth recorded by Frobenius as used by Huffman in his analysis of Great Zimbabwe.

In this paper, the author discusses the power of vodun leaders in present-day Benin, and more specifically anti-witchcraft cults born from the encounter with world religions. Offering an analysis inspired by Louis Marin's theory on power in its representation, the author illustrates her analysis through the portrait of a vodun leader with a view to escape from a functionalist analysis of occult power or syncretism. With the baroque mirror metaphor conceived as a device, which underscores what it is that connects heterogeneous practices, Tall describes what is shown in the rituals and practices of a vodun leader and emphasizes the centrality of the transubstantiation phenomenon in the production of a community of believers.

Since the turn of the century contemporary dance has been gaining momentum as a pan-African artistic movement in which a new generation of performers is engaging. In contrast to more popular forms of ‘traditional’ or ‘modern’ performance genres, this new movement has evolved within the cosmopolitan urban elite and is driven by processes of professionalization that lead to the creation of new, border-crossing artistic spaces. These spaces are characterized by new boundaries and inequalities, related to various modes of distinction reflecting the shifting grounds of social status – gendered, generational, knowledge-based and economic. Taking an artistic ‘capacity-building’ project targeting female dancers in West Africa as an entry point, the article analyses how the practice of contemporary dance in Ouagadougou leads to the emergence of a translocal social space embedded in a dense network of transnational relations and connected to global art worlds. It is argued that the unequal power relations characterizing the professional art world of contemporary dance reflect the tensions and contradictions of local urban societies in the making and at the same time contribute to a reconfiguration of urban spaces where new forms of rooted cosmopolitanism can be invented.

The paper enquires into the practices of cooperation and mutuality that are reproduced in contemporary mutual help groups of post-socialist Tanzania. Diverse associations of cooperative work and mutual security are on the rise in globalizing African communities. Local institutions of mutual assistance are becoming increasingly important in regulating access to resources and redefining socialities in environments of persistent instability. Mutual help groups among Kuria people have emerged as institutions for facilitating exchange through relationally oriented expansion that enables the rise of new economic niches and social identities. A complex intermingling of diverse organizational features has enabled the associations to engage novel types of resources and categories of participants. The paper examines hybrid and haphazard elements of formalization that occur with the regularizing of work reciprocities and the increasing use of monetary loans and savings. Exploring culturally relevant metaphors of life-sustaining flows and passageways, indispensable for individual and social growth, the article investigates the value conversions mediated by the groups and their impacts on wider public spaces in Tanzanian communities.

This article explores how the state police in Mozambique tried to (re)encroach upon a former war zone and what their methods implied for state authority more generally. Post-war reform efforts to professionalize the police in accordance with the rule of law and human rights have had apparently paradoxical results. This is in part because efforts to constitute state authority have relied on both embracing and taming ‘tradition’ as an alternative domain of authority, order and law. Ethnographic fieldwork at police stations shows that the police increasingly handle witchcraft cases and spiritual problems. This, the article argues, does not only reflect a tension between local/customary and state/legal notions of order and justice. Equally significant is the existence of partial sovereignties. A spiritual idiom of power and evildoing constitutes an alternative articulation of sovereignty due to the capacity of invisible forces to give and take life. This is an idiom mastered by chiefs and healers. Police officers engage with invisible forces to gain popular legitimacy and manifest state power, and yet they never manage to fully master those forces. Consequently, state police authority remains uncertain, and must be continually reinforced by enacting hierarchies and jurisdictional boundaries and by using force.

Mutuality is at the heart of the continued violence and inequality in South Africa. This historical and anthropological analysis of Cape Town's taxi associations reveals how mutuality has become strongly connected with violence and economic marginalization. The breakdown of apartheid led to new mutualities along the rural–urban divide, which resulted in taxi wars between ‘urban insiders’ and ‘rural outsiders’. After liberation from apartheid, mutuality within Cape Town's taxi associations became a central issue in government policy and commercial interests, which contributed to taxi associations becoming mafia-like organizations. This analysis reveals that taxi owners today find themselves in a trickle-up economy characterized by: violent and shifting mutualities; the embrace of illegality and informality as being vital to doing business; and strong economic intervention by the state.

Young women who live in the improvised urban spaces on the outskirts of Senegal's capital city, Dakar, extemporize their respectability in a time of fiscal uncertainty through personal photography. The neighbourhood of Khar Yalla is an improvised, interconnected and multilayered space settled by families removed from the city centre during clean-up campaigns from the 1960s to the 1970s, by families escaping conflict in Casamance and Guinea-Bissau, and by recent rural migrants. As much as Khar Yalla is an improvised neighbourhood, it is also a space of improvisation. When women pose for, display, and pass around portraits of themselves at key moments in their social life, whether in the medium of social networking sites or photo albums, they reveal as much as they conceal the elements of individual and social life. They index their social networks and constitute their urban space not as peripheral, but as central to the lives and imaginations of their siblings and spouses who live abroad. Photographs actively shape and construct urban spaces, which are often loud, unruly and fraught spaces with vast inequalities and incommensurabilities. How women deal with economic and social disparity, within their own families, communities, and globally, is the subject of this article.

The implementation of community policing schemes and development programmes targeting street youth in inner city Addis Ababa, intended to prevent crime and unrest, has resulted in an expansion of structures of political mobilization and surveillance of the Ethiopian People's Revolutionary Democratic Front (EPRDF), the party that has ruled the country since 1991. Yet the fact that the government managed to implement its programmes does not imply that the ruling party was entirely successful in tackling ordinary crime as well as political dissent. As neighbourhoods continued to be insecure, especially at night, the efficacy of the ruling party's politicized narratives on community policing and crime prevention was questioned. An appreciation of the shortcomings of government action on the streets of the inner city raises questions about the extent of the reach of the EPRDF's state into the grass roots of urban society as well as about the ways in which dissent is voiced in a context where forms of political surveillance and control are expanding. This paper investigates these issues in order to contribute to the study of the Ethiopian state and to the broader debate on community policing and crime prevention on the African continent.

Much of the literature on Sierra Leonean diamonds focuses on the role that this mineral resource played in the recent civil conflict (1991–2002). However, the political-economic perspective that is common to these analyses has lost sight of the main actors in this social reality. What do miners think of diamonds? Like their Malagasy colleagues engaged in the search for sapphires, the Sierra Leonean diamond miners often maintain that they do not know what diamonds could possibly be used for. What is specific to the diamond mining areas in this West African country is that suspicions and fantasies about the uses of diamonds go hand in hand with the idea that these precious stones belong to invisible spiritual entities known locally as djinns or dεbul dεn. Although this article aims to analyse the occult imaginary of diamond miners, it takes a different stand from the occult economies approach. By combining a historical-imaginative perspective with a historical and ecological one, this article intends to highlight the indissoluble interweaving of material and imaginative processes of artisanal diamond production in the context of Sierra Leone's mines.