Published online by Cambridge University Press: 20 January 2017
This article examines two sets of private family archives and the diaries they contain. The authors included items from their own archives throughout their texts. What was their goal in inserting photographs, fragments of letters, official documents, and private papers into these texts? Can this practice shed light on the mechanisms of construction and preservation of family identity as well as on communication within families in the Soviet Union, a perspective that has otherwise remained inaccessible using other sources?
This article is accompanied by photographs available under the heading “Complementary Reading” on the Annales website: http://annales.ehess.fr.
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52. A character in Leo Tolstoy’s play The Living Corpse, which was first published posthumously in 1913.
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62. Khar’kova, “Vospominaniia rossiianki,” 385.
63. On the formation of Soviet pedagogical norms in the 1930, see: Beyrau, Dietrich, Intelligenz und Dissens: Die russischen Bildungsschichten in der Sowjetunion 1917 bis 1985 (Göttingen: Vandenhoeck & Ruprecht, 1993), 73–155 Google Scholar; Kelly, Children’s World. In the chapter of her memoirs devoted to the years 1947-1951, Pukhal’skaia provides the following details: “We lived all those years in Tashkent with little information, as news about the country and the world came only from the local radio station and one Russian newspaper, Pravda of the East (Pravda Vostoka). Only in early 1948, when Abram received a Vostok radio set for the hard work he had done in 1947, were we able to listen to the Moscow news (which in fact was scarce and carefully controlled). By changing the set’s frequency, we could get music and concerts from as far away as Brazzaville in the French Congo, which in itself was a miracle. Since then, we have given greater attention to geography in the children’s education. We hung large geographical maps of every part of the world on the walls.” Pukhal’skaia, “Zhizn’ sem’i,” 73.
64. Ibid., 47.
65. Ibid., 144.
66. Basiny detki, 5, 1951-1952, in Pukhal’skaia, “Zhizn’ sem’i.”
67. Khar’kova, “Vospominaniia rossiianki,” 159-60.
68. On the role of “terrifying stories” in overcoming childhood fears, see Osorina, Sekretnyi mir detei, 77-89.
69. Ibid.
70. On the creation of images during the Civil War, see: Narsky, Zhizn’ v katastrofe; Narsky, , “Bürgerkrieg—zur Konstruktion eines Gründungsmythos im frühen Sowjetrussland (Ural 1917-1922),” in Der Krieg in den Gründungsmythen europäischer Nationen und der USA, eds. Buschmann, Nikolaus and Langewiesche, Dieter (Frankfurt and New York: Campus, 2003), 320–30.Google Scholar
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72. Khar’kova, “Vospominaniia rossiianki,” 363-64.
73. On the difficulties of identifying the “Soviet” character of Soviet culture, including the culture of manipulating the past, see: Langenohl, Erinnerung und Modernisierung; Narsky, Fotokartochka na pamiat’, 369-77.
74. Khmelevskaia, “Vvedenie,” 8.
75. See Narsky, Fotokartochka na pamiat’.
76. For more details on the conflicts and tensions between generations, see: Bude, Heinz, “Die biographische Relevanz der Generation,” in Generationen in Familie und Gesellschaft, eds. Kohli, Martin and Szidlik, Marc (Opladen: Leske/Budrich, 2000), 19–35 CrossRefGoogle Scholar; Hirsch, Family Frames; Yurii A. Levada, “Pokoleniia 20 veka: Vozmozhnosti issledovaniia,” in Ottsy i deti. Pokolencheskii analiz sovremennoi Rossii, eds. Yurii A. Levada and Teodor Shanin (Moscow: Novoe literaturnoe obozrenie, 2005), 32-60.
77. I refer the reader to my previous work: Igor Narsky, “Refleksii o refleksiiakh, ili detskie istorii vzroslogo istorika,” in Detstvo v nauchnykh, obrazovatel’nykh i khudozhestvennykh tekstakh. Opyt prochteniia i interpretatsii, ed. Alla Sal’nikova (Kazan: izdatel’stvo Kazanskogo universiteta, 2010), 55-60; and Narsky, “‘Budushchee-v-proshlom’: Publichnoe prodvizhenie (sovetskikh) semeinykh ‘relikvii’ v optike kul’turno-pokolencheskikh razryvov,” in Puti Rossii. Budushchee kak kultura: prognozy, reprezentatsii, stsenarii, eds. Pugacheva, Marina G. and Vakhshtain, Victor S. (Moscow: Novoe literaturnoe obozrenie, 2011), 322–38.Google Scholar
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82. For example, see Maria Ferretti’s important thoughts on workers’ protests against Stalinism during the interwar years, which radically challenge conventional views about the extent of opposition in the USSR in the late twenties and early thirties: Ferretti, Maria, “Iaroslavskii rabochii Vasilii Ivanovich Liulin,” Rossiia XXI 5 (2011): 154–89.Google Scholar
This is a translation of: Mémoire familiale et archives privées du XXe siècle soviétique