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A Portrait of the Artist as a Prophet - Pierre Bourdieu, Manet: une révolution symbolique (Paris, Le Seuil, 2013)

Published online by Cambridge University Press:  30 December 2015

Fabien Accominotti
Fabien Accominotti*
Affiliation:
London School of Economics and Political Science [f.accominotti@lse.ac.uk]
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Abstract

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Type
Book Reviews
Information
European Journal of Sociology / Archives Européennes de Sociologie , Volume 56 , Issue 3 , December 2015 , pp. 433 - 437
Copyright
Copyright © A.E.S. 2015 

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References

REFERENCES

Abend, Gabriel, 2014. The Moral Background: An Inquiry into the History of Business Ethics (Princeton, Princeton University Press).CrossRefGoogle Scholar
Bourdieu, Pierre, 1988. Homo Academicus (Stanford, Stanford University Press).Google Scholar
Bourdieu, Pierre, 1993. The Field of Cultural Production (New York, Columbia University Press).Google Scholar
Bourdieu, Pierre, 1996. The Rules of Art: Genesis and Structure of the Literary Field (Stanford, Stanford University Press).CrossRefGoogle Scholar
White, Harrison C. and White, Cynthia, 1965. Canvases and Careers: Institutional Changes in the French Painting World (New York, John Wiley and Sons).Google Scholar