The images from wars in the Middle East that haunt us are those of young women killing and torturing. Their media circulated stories share a sense of shock. They have both galvanized and confounded debates over feminism and women's equality. And, as Oliver argues in this essay, they share, perhaps subliminally, the problematic notion of women as both offensive and defensive weapons of war, a notion that is symptomatic of fears of women's “mysterious” powers.

This article examines the Israeli documentary My Land Zion and the Palestinian documentary Paradise Lost. Both films are critical autobiographical texts and in both, the woman filmmaker negotiates her emotional and ideological ties with her culture, history, and nation. Naaman proposes that by using the autobiographical genre and by engaging emotionally as well as rationally, the women filmmakers discussed offer a particular gendered position rebelliously outside nationalism and the place of women within it.

This essay argues that the flaws of just war theory should lead us to develop a new approach to living with others. Danielle Poe begins her argument with a description of just war theory and its failures. In the next section, Poe discusses the philosophy of Bat-Ami Bar On and Luce Irigaray in order to construct ethical commitments between people. These ethical commitments come from concrete acts of empathy, such as relationships of compassion, kindness, and hospitality. Finally, Poe considers how these concrete acts can create conditions to prevent war.

If women are not yet accorded the full rights of citizenship internationally and especially in the military context, a feminist position on just war may have to be provisional. Drawing on Virginia Woolf's argument referenced in the title, Eide suggests in this essay that feminist theory develop its principles from women's exclusion from national privileges and argues that jus post bellum or justice after war be central to feminist theories of just war.

In this essay, Ben-Porath begins from the assumption that just war theory should be extended to include a jus post bellum component. Postwar conduct should be significantly informed by a care ethics perspective, particularly its political aspects as developed by Joan Tronto and others. Care ethics should be extended to the international postwar arena with one significant amendment, namely, weakening the aim of ending dependence.

This essay argues that the ambiguities of the just war tradition, sifted through a feminist critique, provides the best framework currently available for translating the ethical entitlement to human dignity into concrete feminist political practices. It offers a gendered critique of war that pursues the just war distinction between legitimate and illegitimate targets of wartime violence and provides a gendered analysis of the peace which the just war tradition obliges us to preserve and pursue.

In this essay, Denike assesses the appropriation of international human rights by humanitarian law and policy of “security states.” She maps representations of the perpetrators and victims of “tyranny” and “terror,” and their role in providing a “just cause” for the U.S.-led “war on terror.” By examining narratives of progress and human rights heroism Denike shows how human rights discourses, when used together with the pretense of self-defense and preemptive war, do the opposite of what they claim—entrenching the sovereignty of Western imperialist states while eroding the conditions necessary for the recognition of the human rights of others.

In this essay, Robin May Schott criticizes leading proponents of just war theory and introduces the notion of justifiable but illegitimate violence. Instead of legitimating some wars as just, it is better to acknowledge that both the situation of war and moral judgments about war are ambiguous. Schott raises the questions: What are alternative narratives of war? And what are alternative narratives to war? Such narratives are necessary for addressing the concepts of evil and of witnessing in the ethical discourse after Auschwitz.

At stake for this essay is the distinction between politics and war and the extent to which politics can survive war. Gender analysis reveals how high these stakes are by revealing the complexity of militarism. It also reveals the impossibility of gender identity as foundation for a more robust politics with respect to war. Instead, a non-ideal normative differentiation among kinds of violence is affirmed as that which politically cannot not be wanted.