Martinu and the Symphony

Michael Crump

doi:10.1017/9781805433958

The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu (1890-1959), tracing the evolution of his musical language and including detailed analyses of all six symphonies.

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Contents

Frontmatter
pp 1-4
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Dedication
pp 4-4
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Contents
pp 5-6
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Illustrations
pp 7-8
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Preface
pp 9-12
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Permissions
pp 13-14
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I - The Early Years
pp 15-50
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II - The 1920s in Paris
pp 51-76
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III - Last Years in Paris
pp 77-100
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IV - The Melodic Style
pp 101-126
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V - The Harmonic Style
pp 127-150
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VI - Texture and Orchestration
pp 151-176
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VII - The First Symphony
pp 177-208
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VIII - The Second Symphony
pp 209-236
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IX - The Third Symphony
pp 237-268
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X - The Fourth Symphony
pp 269-316
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XI - The Fifth Symphony
pp 317-352
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XII - Between the Symphonies
pp 353-364
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XIII - Fantaisies Symphoniques
pp 365-408
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XIV - Beyond the Symphonies
pp 409-460
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XV - Conclusion
pp 461-466
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Appendices
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1 - The Sketch of the Second Symphony
pp 467-475
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2 - The Cut in the Third Movement of the Second Symphony
pp 476-483
- By Michael Crump, Aleš Březina
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3 - The Cut in the First Movement of the Third Symphony
pp 484-490
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4 - The Quotation from Juliette in Fantaisies Symphoniques
pp 491-494
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Bibliography
pp 495-498
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Index of Works
pp 499-502
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Technical Index
pp 503-506
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General Index
pp 507-512
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Martinu and the Symphony

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