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Ecological and psychological factors in the cultural evolution of music

Published online by Cambridge University Press:  30 September 2021

Thom Scott-Phillips Open the ORCID record for Thom Scott-Phillips [Opens in a new window] ,
Atsuko Tominaga  and
Helena Miton
Thom Scott-Phillips
Affiliation:
Department of Cognitive Science, Central European University, Oktober 6 utca 7, Budapest1051, Hungary. scott-phillipst@ceu.edu tominaga_atsuko@phd.ceu.eduhttps://thomscottphillips.comhttps://atsukotominaga.com
Atsuko Tominaga
Affiliation:
Department of Cognitive Science, Central European University, Oktober 6 utca 7, Budapest1051, Hungary. scott-phillipst@ceu.edu tominaga_atsuko@phd.ceu.eduhttps://thomscottphillips.comhttps://atsukotominaga.com
Helena Miton
Affiliation:
Santa Fe Institute, Santa Fe, NM87501, USA. helena@santafe.eduhttps://www.santafe.edu/people/profile/helena-miton
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Abstract

The two target articles agree that processes of cultural evolution generate richness and diversity in music, but neither address this question in a focused way. We sketch one way to proceed – and hence suggest how the target articles differ not only in empirical claims, but also in their tacit, prior assumptions about the relationship between cognition and culture.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 44 , 2021 , e110
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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