Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-68945f75b7-z8dg2 Total loading time: 0 Render date: 2024-08-06T08:25:47.560Z Has data issue: false hasContentIssue false

Chapter 12 - The Alternating Utopic Revisions of The Tempest on Film

Published online by Cambridge University Press:  16 June 2017

By
Delilah Bermudez Brataas
Edited by
Sarah Hatchuel  and
Nathalie Vienne-Guerrin
Sarah Hatchuel
Affiliation:
Université du Havre, France
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
Get access
Type
Chapter
Information
Shakespeare on Screen
<I>The Tempest</I> and Late Romances
 , pp. 199 - 214
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Adelman, J., Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest (New York: Routledge, 1992).Google Scholar
Bahktin, M. M. and Iswolsky, H., trans., Rabelais and His World (Bloomington: Indiana University Press, 1984).Google Scholar
Buchanan, J., ‘Not Sycorax’, in McMullan, G., Orlin, L. Cowen, and Vaughan, V. M. (eds.), Women Making Shakespeare: Text, Reception, and Performance (The Arden Shakespeare. London: Bloomsbury, 2014), 334–45.Google Scholar
Carson, S. and Bloom, H., Living with Shakespeare: Essays by Writers, Actors, and Directors (New York: Vintage, 2013).Google Scholar
Chedgzoy, K., Shakespeare's Queer Children: Sexual Politics and Contemporary Culture (Manchester: Manchester University Press, 1995).Google Scholar
Dash, I. G., ‘Single-Sex Retreats in Two Early Modern Dramas: Love's Labor's Lost and the Convent of Pleasure’, Shakespeare Quarterly 47:4 (1996), 387–95.CrossRefGoogle Scholar
Ellis, J., ‘Conjuring The Tempest: Derek Jarman and the Spectacle of Redemption’, GLQ: A Journal of Lesbian and Gay Studies 7:2 (2001), 265–84.CrossRefGoogle Scholar
Harris, D. and MacDonald, J., ‘Stormy Weather: Derek Jarman's The Tempest’, Literature/Film Quarterly 25:2 (1997).Google Scholar
Hulme, P., Sherman, W. H. and Kirkpatrick, R., ‘The Tempest’ and its Travels (Philadelphia: University of Pennsylvania Press, 2000).Google Scholar
Knapp, J., An Empire Nowhere: England, America, and Literature from Utopia to The Tempest (Berkeley, CA: University of California Press, 1992), 19–22.CrossRefGoogle Scholar
Kumar, K., ‘Utopia's Shadow’, in Vieira, F. (ed.), Dystopia(n) Matters: On the Page, on Screen, on Stage (Newcastle: Cambridge Scholars Press, 2013), 19–22.Google Scholar
Lewes, D., Nudes from Nowhere: Utopian Sexual Landscape (Maryland: Rowman and Littlefield, 2000).Google Scholar
Marin, L. and Vollrath, R. A., trans., Utopics: The Semiological Play of Textual Spaces, (Contemporary Studies in Philosophy and the Human Sciences. New Jersey: Humanities Press International, 1990).Google Scholar
Moylan, T., Demand the Impossible: Science Fiction and the Utopian Imagination (London: Methuen, 1986).Google Scholar
Orgel, S., ‘Prospero's Wife’, Representations 8 (1984), 1–13.CrossRefGoogle Scholar
Sargent, L. T., ‘The Three Faces of Utopianism Revisited’, Utopian Studies 5:1 (1994), 1–37.Google Scholar
Severn, J. R., ‘Interrogating Escapism: Rethinking Kenneth Branagh's Love's Labour's Lost’, Shakespeare Bulletin 31:3 (2013), 453–83.CrossRefGoogle Scholar
Smith, B. R., Homosexual Desire in Shakespeare's England (Chicago: Chicago University Press, 1991).Google Scholar
Vaughan, V. M., ‘‘Miranda, where's your mother?’: Female Prosperos and What They Tell Us’, in McMullan, G., Orlin, L. Cowen, and Vaughan, V. M. (eds.), Women Making Shakespeare: Text, Reception, and Performance (The Arden Shakespeare. London: Bloomsbury, 2014), 347–56.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×