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Chapter 5 - Romance for Television

The BBC Cymbeline

Published online by Cambridge University Press:  16 June 2017

By
Robert S. White
Edited by
Sarah Hatchuel  and
Nathalie Vienne-Guerrin
Sarah Hatchuel
Affiliation:
Université du Havre, France
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
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Chapter
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Shakespeare on Screen
<I>The Tempest</I> and Late Romances
 , pp. 71 - 90
Publisher: Cambridge University Press
Print publication year: 2017

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References

Works Cited

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Hazlitt, William, Hazlitt's Criticism of Shakespeare, ed. White, R. S. (Lewiston: Edwin Mellen Press, 1996).Google Scholar
Hunter, G. K., ‘The BBC All's Well That Ends Well’, in Bulman, J. C. and Coursen, H. R. (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (Hanover: University Press of New England, 1988), 185–7.Google Scholar
Jones, G. P., ‘Nahum Tate is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions’, in Bulman, J. C. and Coursen, H. R. (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (Hanover: University Press of New England, 1988), 192–9.Google Scholar
Moshinsky, E. and Elsom, J., ‘Does Shakespeare Write Better for Television?’, in Elsom, J. (ed.), Is Shakespeare Still Our Contemporary? (London: Routledge, 1989), 114–39.Google Scholar
Moshinsky, E., Interview with Henry Fenwick, Radio Times, 9–15 July 1983, 4–5.Google Scholar
Murray, T., Drama Trauma: Spectres of Race and Sexuality in Performance, Video and Art (London: Routledge, 1997).Google Scholar
Rothwell, K. S., Early Shakespeare Films: How the Spurned Spawned Art (Stratford-upon-Avon: International Shakespeare Association, 2000).Google Scholar
Waller, G. F., ‘Decentring the Bard: the BBC Shakespeare and Some Implications for Criticism and Teaching’, in Bulman, J. C. and Coursen, H. R. (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (Hanover: University Press of New England, 1988), 18–30.Google Scholar
Warren, R., Cymbeline: Shakespeare in Performance (Manchester: Manchester University Press, 1989).Google Scholar
White, R. S., ‘All's Well as Television: The 1980 Moshinsky Production’, in Waller, Gary (ed.), All's Well That Ends Well: New Critical Essays (New York: Routledge, 2007), 234–46.Google Scholar
Wilders, J. ‘Shakespeare with No Audience’, in White, R. S. et al. (ed.), Shakespeare: Readers, Audiences, Players (Nedlands: University of Western Australia Press, 1998), 56–63.Google Scholar

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