Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-23T12:25:57.749Z Has data issue: false hasContentIssue false

Works cited

Published online by Cambridge University Press:  22 September 2009

Jeremy Lopez
Affiliation:
College of William and Mary, Virginia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anon., Daiphantus, ed. Alexander B. Grossart (Manchester: Charles Simms), 1880
Anon., “An Excellent Actor,” in The “Conceited Newes” Of Sir Thomas Overbury And His Friends: A Facsimile Reproduction of the Ninth Impression of 1616 of Sir Thomas Overbury His Wife, ed. James E. Savage (Gainesville, FL: Scholars' Facsimiles & Reprints, 1968
Anon., A Short Treatise of Stage Plays, London, 1625
Anon., A Treatise of Miraclis Pleyinge, ed. Clifford Davidson (Kalamazoo: Western Michigan University Press, 1993
Adams, J. Q., “Thomas Heywood and How a Man May Choose a Good Wife from a Bad,”Englische Studien 45 (1912): 30–9Google Scholar
Anderson, Norman, “Studies in the Elizabethan Domestic Tragedies, 1592–1607,” University of Oregon, 1943
Arnold, Judd, “The Double Plot in Volpone: A Note on Jonsonian Dramatic Structure,”Seventeenth-Century News 23 (1965): 47–52Google Scholar
Aristophanes, Women at the Thesmophoria, trans. Jeffrey Henderson, in Three Plays by Aristophanes (New York: Routledge), 1996
Baldwin, T. W., The Organization and Personnel of the Shakespearean Company (Princeton: Princeton University Press), 1927
Barber, C. L., Shakespeare's Festive Comedy (Princeton: Princeton University Press), 1959
Barbour, Richmond, “‘When I Acted Young Antinous’: Boy Actors and the Erotics of Jonsonian Theater,”PMLA 110.5 (1995): 1,006–22CrossRefGoogle Scholar
Barish, Jonas, “The Double Plot in Volpone,”Modern Philology 51 (1953): 83–92CrossRefGoogle Scholar
Barish, Jonas The Antitheatrical Prejudice (Berkeley: University of California Press), 1981
Baskervill, C. R., “Sources and Analogues of How a Man may Choose a Good Wife from a Bad,”PMLA 24 (1909): 711–30CrossRefGoogle Scholar
Bednarz, Shakespeare and the Poets’ War (New York: Columbia University Press), 2001
Bentley, G. E., The Jacobean and Caroline Stage (Oxford: Clarendon), 1941
Berek, Peter, “Artifice and Realism in Lyly, Nashe, and Love's Labor's Lost,”Studies in English Literature 23.2 (1983): 207–21CrossRefGoogle Scholar
Berger, Harry, Jr., Imaginary Audition: Shakespeare on Stage and Page (Berkeley: University of California Press), 1989
Bevington, David, From Mankind to Marlowe (Cambridge, MA: Harvard University Press), 1962
Bly, Mary, “Bawdy Puns and Lustful Virgins: The Legacy of Juliet's Desire in Comedies of the Early 1600s,”Shakespeare Survey 49 (1996): 97–110Google Scholar
Bly, Mary Queer Virgins and Virgin Queans on the Early Modern Stage (Oxford: Oxford University Press), 2000
Boehrer, Bruce, Monarchy and Incest in Renaissance England (Philadelphia: University of Pennsylvania Press), 1992
Booth, Stephen, “On the Value of Hamlet,” in Reinterpretations of Elizabethan Drama, ed. Norman Rabkin (New York: Columbia University Press), 1969
Booth, Stephen King Lear, Macbeth, Indefinition, and Tragedy (New Haven: Yale University Press), 1983
Booth, Stephen “Close Readings Without Readings,” in Shakespeare Reread: The Texts in New Contexts, ed. Russ McDonald (Ithaca, NY: Cornell University Press), 1994
Booth, Stephen “Syntax as Rhetoric in Richard II,”Mosaic 10.3 (1997): 87–103
Booth, Stephen Precious Nonsense: The Gettysburg Address, Ben Jonson's Epitaphs on his Children, and Twelfth Night (Berkeley: University of California Press), 1998
Bowden, William R., “The Bed Trick, 1603–1642: Its Mechanics, Ethics, and Effects,”Shakespeare Studies 5 (1969): 112–23Google Scholar
Bradbrook, Muriel, Themes and Conventions of Elizabethan Tragedy (Cambridge: Cambridge University Press), 1960
Bueler, Lois E., “The Structural Uses of Incest,” in Renaissance Drama 15 (1984): 115–45CrossRefGoogle Scholar
Butler, Samuel, Hudibras, ed. John Wilders (Oxford, Clarendon), 1967
Cartwright, Kent, “The Confusions of Gallathea: John Lyly as Popular Dramatist,”Comparative Drama 32.2 (1998): 207–39CrossRefGoogle Scholar
Colley, John Scott, John Marston's Theatrical Drama (Salzburg: Salzburg Studies in English Literature), 1974
Cook, Ann Jennalie, The Privileged Playgoer in Shakespeare's London (Princeton: Princeton University Press), 1981
Desens, Marliss C., The Bed Trick in English Renaissance Drama (Newark: University of Delaware Press), 1994
Dessen, Alan, “Night and Darkness on the Elizabethan Stage,” in Renaissance Papers (1978): 23–30
Dessen, Alan Jonson's Moral Comedy (Evanston, IL: Northwestern University Press), 1971
Dessen, Alan Elizabethan Stage Conventions and Early Modern Interpreters (Cambridge: Cambridge University Press), 1984
Dessen, Alan and Leslie Thomson, A Dictionary of Stage Directions in English Drama, 1580–1642 (Cambridge: Cambridge University Press), 1999
Dollimore, Jonathan, Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and his Contemporaries (Chicago: University of Chicago Press), 1984
Doran, Madeline, Endeavors of Art (Madison: University of Wisconsin Press), 1954
Ellis, Herbert A., Shakespeare's Lusty Punning in Love's Labour's Lost (The Hague: Mouton), 1973
Ellis-Fermor, Una, The Jacobean Drama (London: Methuen), 1936
Forker, Charles R., “‘A Little More Than Kin, and Less Than Kind’: Incest, Intimacy, Narcissism, and Identity in Elizabethan and Stuart Drama,”Medieval and Renaissance Drama in England 1 (1984): 13–51Google Scholar
Freeburg, Victor, Disguise Plots in Elizabethan Drama (New York: Columbia), 1915
Freeman, Arthur, Thomas Kyd: Facts and Problems (Oxford: Clarendon), 1967
Fried, Debra, “Rhyme Puns,” in On Puns, ed. Jonathan Culler (Oxford: Blackwell), 1988
Gair, Reavely, The Children of Paul's (Cambridge: Cambridge University Press), 1982
Gosson, Stephen, The School of Abuse, ed. Edward Arber (London: Alex Murray), 1868
Greenblatt, Stephen, “The False Ending of Volpone,”Journal of English and Germanic Philology 75.1 (1976): 90–104Google Scholar
Gruber, William, “Building a Scene: The Text and its Representation in The Atheist's Tragedy,”Comparative Drama 19.3 (1985): 193–208Google Scholar
Gurr, Andrew, Playgoing in Shakespeare's London (Cambridge: Cambridge University Press), 1987
Gurr, Andrew The Shakespearean Stage 1574–1642 (Cambridge: Cambridge University Press), 1992
Harbage, Alfred, Shakespeare's Audience (New York: Columbia University Press), 1941
Harbage, Alfred Shakespeare and the Rival Traditions (New York: Macmillan), 1952
Hattaway, Michael, Elizabethan Popular Theatre (London: Routledge), 1982
Hayashi, Tetsumaro, A Textual Study of Robert Greene's Orlando Furioso, with an Elizabethan Text (Muncie, IN: Ball State University Press), 1973
Henke, James T., Renaissance Dramatic Bawdy (Salzburg: Salzburg Studies in English Literature), 1975
Henslowe, Philip, Diary, ed. R. A. Foakes and R. T. Rickert (Cambridge: Cambridge University Press), 1961
Heywood, Thomas, Apologie for Actors (London, 1612)
Hunter, G. K., John Lyly: The Humanist as Courtier (Cambridge, MA: Harvard University Press), 1962
I. G., A Refutation of the Apologie for Actors, ed. Richard H. Perkinson (New York: Scholars’ Facsimiles and Reprints), 1941
Joseph, B. L., Elizabethan Acting (New York: Octagon), 1979
Kemper, Susan C., “Dramaturgical Design in Lyly's Gallathea,”Thoth 16.3 (1976): 19–31Google Scholar
Lake, David, The Canon of Thomas Middleton's Plays (Cambridge: Cambridge University Press), 1975
Leggatt, Alexander, Jacobean Public Theatre (London: Routledge), 1992
Leggatt, Alexander An Introduction to Renaissance Comedy (Manchester: Manchester University Press), 1999
Levin, Richard, The Multiple Plot in English Renaissance Drama (Chicago: University of Chicago Press), 1971
Litt, Dorothy E., “Unity of Theme in Volpone,”Bulletin of the New York Public Library 73 (1969): 218–26Google Scholar
Lodge, Thomas, A Defence of Poetry, Music, and Stage Plays, ed. David Laing (London: Shakespeare Society), 1853
Love, Genevieve, “‘As from the waste of Sophonisba’, or What's Sexy about Stage Directions,” forthcoming in Renaissance Drama
Lucking, David, “‘Each word made true and good’: Narrativity in Hamlet,”Dalhousie Review 76.2 (1996): 177–96Google Scholar
Maclutyre, Jean, “Production Resources at the Whitefriars Playhouse, 1609–1612,”Early Modern Literary Studies 2:3 (1996): 1–15Google Scholar
Marchitell, Howard, “Desire and Domination in Volpone,”Studies in English Literature 31.2 (1991): 287–308CrossRefGoogle Scholar
McCabe, Richard A., Incest, Drama and Nature's Law 1550–1700 (Cambridge: Cambridge University Press), 1993
McMillin, Scott and Sally-Beth MacLean, The Queen's Men and their Plays (Cambridge: Cambridge University Press), 1998
Milton, John, Paradise Lost, ed. Alastair Fowler (London: Longman), 1968
Northbrook, John, A Treatise against Dicing, Dauncing, Plays, and Interludes, with Other idle Pastimes, ed. J. P. Collier (London: Shakespeare Society), 1853
Ovid, Metamorphoses, trans. Rolfe Humphries (Bloomington: Indiana University Press), 1955
Parker, Patricia, “Interpreting through Wordplay,” in Teaching with Shakespeare, ed. Bruce McIver and Ruth Stevenson (Newark: University of Delaware Press), 1994
Parker, Patricia, Shakespeare from the Margins (Chicago: University of Chicago Press), 1996
Partridge, Eric, Shakespeare's Bawdy (New York: E. P. Dutton), 1948
Pincombe, Michael, The Plays of John Lyly: Eros and Eliza (Manchester: Manchester University Press), 1996
Powell, Jocelyn, “John Lyly and the Language of Play,” in Elizabethan Theatre (New York: St. Martin's), 1966
Prynne, Wlliam, Histrio-Mastix, London, 1633
Rackin, Phyllis, “Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage,”PMLA 102.1 (1987): 29–41CrossRefGoogle Scholar
Reynolds, George Fullmer, The Staging of Elizabethan Plays at the Red Bull Theater (New York: Modern Language Association), 1940
Ribner, Irving, “Greene's Attack on Marlowe: Some Light on Alphonsus and Selimus,”Studies in Philology 52 (1955): 162–71Google Scholar
Roberts, Josephine A., “Daiphantus (1604): a Jacobean Perspective on Hamlet's Madness,”Library Chronicle 42.2 (1978): 128–37Google Scholar
Schücking, Levin L., Character Problems in Shakespeare's Plays (London: George G. Harrap, 1922)
Scott, Michael, John Marston's Plays: Theme, Structure, and Performance (London: Macmillan), 1978
Shakespeare, William, Sonnets, ed. Stephen Booth (New Haven: Yale University Press), 1977
Shapiro, Michael, Children of the Revels (New York: Columbia University Press), 1977
Sidney, Philip, Astrophil and Stella, ed. William A. Ringler, Jr, in The Poems of Sir Philip Sidney (Oxford: Clarendon), 1962
Sidney, Philip A Defence of Poetry, ed. J. A. Van Dorsten (Oxford: Oxford University Press), 1966
States, Bert, Great Reckonings in Little Rooms: On the Phenomenology of Theater (Berkeley: University of California Press), 1985
States, Bert Hamlet and the Concept of Character (Baltimore: Johns Hopkins University Press), 1992
Stubbes, Philip, The Anatomie of Abuses, ed. Frederick J. Furnivall. (London: N. Trubner & Co.), 1877–9
Sturgess, Keith, Jacobean Private Theatre (London: Routledge), 1987
Sweeney, John, “Volpone and the Theater of Self-Interest,”English Literary Renaissance 12.2 (1982): 220–41CrossRefGoogle Scholar
Taylor, Gary, Moment by Moment in Shakespeare (London: Macmillan), 1985
Taylor, Gary, Paul, Mulholland, and Macdonald, P. Jackson, “Thomas Middleton, Lording Barry, and The Family of Love,”PBSA 93:2 (1999): 213–41Google Scholar
Thompson, Elbert N. S., The Controversy Between the Puritans and the Stage (New York: Henry Holt), 1903
Watson, Robert N., Ben Jonson's Parodic Strategy (Cambridge, MA: Harvard University Press), 1987
Weimann, Richard, Shakespeare and the Popular Tradition in the Theater: (Baltimore: Johns Hopkins University Press), 1978
Wharton, T. F., The Critical Fall and Rise of John Marston (Columbia, SC: Camden House), 1994
Williams, Gordon, A Glossary of Shakespeare's Sexual Language (London: Athlone), 1997
Wixson, Christopher, “Cross-Dressing and John Lyly's Gallathea,”Studies in English Literature 41.2 (2001): 241–56CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Works cited
  • Jeremy Lopez, College of William and Mary, Virginia
  • Book: Theatrical Convention and Audience Response in Early Modern Drama
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483714.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Works cited
  • Jeremy Lopez, College of William and Mary, Virginia
  • Book: Theatrical Convention and Audience Response in Early Modern Drama
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483714.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Works cited
  • Jeremy Lopez, College of William and Mary, Virginia
  • Book: Theatrical Convention and Audience Response in Early Modern Drama
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483714.012
Available formats
×