Book contents
- Frontmatter
- Contents
- Dedication
- Acknowledgements
- List of Illustrations
- Introduction Broken Hearts and Bleeding Wounds – Traumatic Modernism?
- 1 ‘The Excellent Arrangement of Catastrophe’: Witnessing and Performance in The Antiphon
- 2 Djuna Barnes Beside Herself: Mixed Feelings, Sentimental Modernism and Ryder
- 3 ‘The Infected Carrier of the Past’: Nightwood, Shame and Modernism
- 4 ‘That Magic Reiteration’: Ladies Almanack and Happiness
- Conclusion
- Notes
- Bibliography
- Index
Dedication
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Contents
- Dedication
- Acknowledgements
- List of Illustrations
- Introduction Broken Hearts and Bleeding Wounds – Traumatic Modernism?
- 1 ‘The Excellent Arrangement of Catastrophe’: Witnessing and Performance in The Antiphon
- 2 Djuna Barnes Beside Herself: Mixed Feelings, Sentimental Modernism and Ryder
- 3 ‘The Infected Carrier of the Past’: Nightwood, Shame and Modernism
- 4 ‘That Magic Reiteration’: Ladies Almanack and Happiness
- Conclusion
- Notes
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Djuna Barnes and Affective Modernism , pp. viPublisher: Edinburgh University PressPrint publication year: 2012