Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Traditions in World Cinema
- Introduction
- 1 Charting the Course: Defining the Taiwanese Cinematic ‘Tradition’
- 2 Taiwanese–Italian Conjugations: The Fractured Storytelling of Edward Yang's The Terrorizers and Michelangelo Antonioni's Blow-Up
- 3 Mapping Hou Hsiao-hsien's Visuality: Setting, Silence and the Incongruence of Translation in Flight of the Red Balloon
- 4 Tsai Ming-liang's Disjointed Connectivity and Lonely Intertextuality
- 5 The Chinese/Hollywood Aesthetic of Ang Lee: ‘Westernized’, Capitalist … and Box Office Gold
- 6 Filming Disappearance or Renewal? The Ever-Changing Representations of Taipei in Contemporary Taiwanese Cinema
- Conclusion
- Bibliography
- Filmography
- Index
2 - Taiwanese–Italian Conjugations: The Fractured Storytelling of Edward Yang's The Terrorizers and Michelangelo Antonioni's Blow-Up
Published online by Cambridge University Press: 05 September 2014
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Traditions in World Cinema
- Introduction
- 1 Charting the Course: Defining the Taiwanese Cinematic ‘Tradition’
- 2 Taiwanese–Italian Conjugations: The Fractured Storytelling of Edward Yang's The Terrorizers and Michelangelo Antonioni's Blow-Up
- 3 Mapping Hou Hsiao-hsien's Visuality: Setting, Silence and the Incongruence of Translation in Flight of the Red Balloon
- 4 Tsai Ming-liang's Disjointed Connectivity and Lonely Intertextuality
- 5 The Chinese/Hollywood Aesthetic of Ang Lee: ‘Westernized’, Capitalist … and Box Office Gold
- 6 Filming Disappearance or Renewal? The Ever-Changing Representations of Taipei in Contemporary Taiwanese Cinema
- Conclusion
- Bibliography
- Filmography
- Index
Summary
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- Type
- Chapter
- Information
- New Taiwanese Cinema in FocusMoving Within and Beyond the Frame, pp. 47 - 75Publisher: Edinburgh University PressPrint publication year: 2014