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Conclusion

Published online by Cambridge University Press:  05 September 2014

Flannery Wilson
Affiliation:
School of Continuing Education, University of Wisconsin, Stevens Point, USA
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Summary

… New Taiwan Cinema's representation of modernity places the New in its historical past and eludes the present of what the New has become. The multiple identificatory positions, with their entangled histories and intricate negotiation between the personal and the collective in filmic narrative and narration, mark a defining feature of New Taiwan Cinema in its efforts to come to terms with those temporal conflicts and historical problems. (Guo-juin Hong, in Island of No Return, 71)

New Taiwan Cinema represents modernity by turning the present into history, all the while without becoming stale. In short, New Taiwan Cinema is timeless but, at the same time, speaks to the present; the best of this type of cinema is specific to the Taiwanese experience but retains a certain element of universality. If the defining feature of New Wave Cinema is its effort to break the silence of the past by aestheticising a collective experience, then the defining feature of Taiwan New Cinema, more generally, is its ability to reinvigorate a dying industry. Taiwan New Cinema is not defined by success or failure at the box office although it is constrained somewhat by time period. Before the 1980s, the rebellious discourse which was to define New Cinema existed in literary form only.

Type
Chapter
Information
New Taiwanese Cinema in Focus
Moving Within and Beyond the Frame
, pp. 165 - 169
Publisher: Edinburgh University Press
Print publication year: 2014

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  • Conclusion
  • Flannery Wilson, School of Continuing Education, University of Wisconsin, Stevens Point, USA
  • Book: New Taiwanese Cinema in Focus
  • Online publication: 05 September 2014
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  • Conclusion
  • Flannery Wilson, School of Continuing Education, University of Wisconsin, Stevens Point, USA
  • Book: New Taiwanese Cinema in Focus
  • Online publication: 05 September 2014
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Flannery Wilson, School of Continuing Education, University of Wisconsin, Stevens Point, USA
  • Book: New Taiwanese Cinema in Focus
  • Online publication: 05 September 2014
Available formats
×