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The Magazine of Fantasy and Science Fiction, February 1971

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Summary

This Perfect Day. Ira Levin (Random House, $6.95). The Simultaneous Man. Ralph Blum (Atlantic-Little Brown, $5.95). The Dark Symphony. Dean R. Koontz (Lancer, 75¢). Sea Horse in the Sky. Edmund Cooper (Putnam's, $4.95)

Madame X presents, in an intensified form, a common problem of movie interpretation. Children sometimes interpret movies in terms of what they see on the screen, and the adults with them often try to explain what they are supposed to see, so that the children will be able to follow the plot … In general, the wider the gap, the less the con - nection the movie has with art or talent or any forms of honesty …

Pauline Kael, Kiss Kiss Bang Bang (Bantam, 1969), p. 150

Stage life is artificially simple and well understood by the masses; but it is very stale; its feeling is conventional; it is totally unsuggestive of thought because all its conclusions are foregone … Real life, on the other hand, is so ill understood, even by its clearest observers, that no sort of consistency is discoverable in it; there is no “natural justice” corresponding to that simple and pleasant concept, “poetic justice”; and, as a whole, it is unthinkable. But, on the other hand, it is credible, stimulating, suggestive, various, free from creeds and systems – in short, it is real.

George Bernard Shaw, “A Dramatic Realist to His Critics,” The New Review, London, July 1984

Ira Levin, the author of Rosemary's Baby, has written a science fiction novel called Son of Brave New World – sorry, I mean This Perfect Day – which is 309 pages long. It has a pretty cover and there are a lot of characters in it. It is a tidy and comfy book, smooth as Crisco from beginning to end, and if I sound unduly nasty, please keep in mind that I am not after Ira Levin in particular. I wish to shoot down a whole class of bad, bad writing and to do that, one might as well take a shot at one of the best examples, if rottenness can be said to have a best and a worst. “All its conclusions are foregone,” says Shaw, above, and when you say that, you have said what is (to my mind) more morally damning than anything about implausibility or awkwardness or lack of skill.

Type
Chapter
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The Country You Have Never Seen
Essays and Reviews
, pp. 46 - 52
Publisher: Liverpool University Press
Print publication year: 2007

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