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The Magazine of Fantasy and Science Fiction, April 1975

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Summary

Cliffs Notes: Science Fiction, An Introduction. L. David Allen (Cliffs Notes Inc., Lincoln, Nebraska, $1.95). Political Science Fiction: An Introductory Reader. Eds. Martin Harry Greenberg, Patricia S. Warrick (Prentice-Hall, Inc., $5.95, cloth $9.95). As Tomorrow Becomes Today. Ed. Charles Wm. Sullivan, III (Prentice- Hall, Inc., $4.95, cloth $7.95). Speculations: An Introduction to Literature Through Fantasy and Science Fiction. Ed. Thomas E. Sanders (Glencoe Press, Beverly Hills, California, $6.95). Modern Science Fiction. Ed. Norman Spinrad (Anchor Press, New York, $3.50). Science Fiction: The Classroom in Orbit. Beverly Friend (Educational Impact, Inc., Glassboro, N.J., 1974, $3.75; $3.00 for 20 or more). The English Assassin. Michael Moorcock (Harper & Row, $6.95)

It's important to kill mosquitoes, especially malaria-carrying ones. Cliffs Notes may be refreshing to masochists in search of a new intellectual thrill, but every teacher of Frosh Comp will find this volume wearisomely familiar; it is the ultimate bad paper that drives us all stark, staring bonkers: the compulsive (usually polysyllabic) hedging, the endless plot summaries (redundant if you've read the book, baffling if you haven't), the blank ignorance of anything more than two years old (the “tremendous effect” of Dune on the young is mentioned as being without parallel; sic transit gloria Stranger), the cumulatively unsettling inaccuracies, the eerie sloppiness (based on an intense, unspoken belief that words don't really mean anything), and worst of all – because ignorant, desperate, or hurried students are particularly vulnerable – the assumption that fiction is put together assembly-line fashion, out of detachable pieces (except for titles, all italics in the following quotes are mine):

[A] rite of passage … the sociology of a closed society … the politics of power … are brought together smoothly and successfully. (p. 93)

There are six factors which compose a literary work … which can be separated rather easily for analysis: character, story, plot, narrative point of view, setting, and language. (p. 133) (“language” is given short shrift here and elsewhere, as you may infer from the misuse of “compose”)

[Left Hand of Darkness provides] the first “contact” [sic] theme handled differently and well … an excellent adventure … the world and its people.

Type
Chapter
Information
The Country You Have Never Seen
Essays and Reviews
, pp. 114 - 121
Publisher: Liverpool University Press
Print publication year: 2007

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