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Letter XXIV: A Wedding Ceremony • Letter XXIX

Published online by Cambridge University Press:  26 May 2022

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Summary

The Symbolism of Seaweed—Afternoon Visitors—An Infant Prodigy— A Feat in Caligraphy—Child Worship—A Borrowed Dress—A Trousseau— House Furniture—The Marriage Ceremony.

KUBOTA, July 25.

THE weather at last gives a hope of improvement, and I think I shall leave to-morrow. I had written this sentence when Ito came in to say that the man in the next house would like to see my stretcher and mosquito net, and had sent me a bag of cakes with the usual bit of seaweed attached, to show that it was a present. The Japanese believe themselves to be descended from a race of fishermen; they are proud of it, and Yebis, the god of fishermen, is one of the most popular of the household divinities. The piece of seaweed sent with a present to any ordinary person, and the piece of dried fish-skin which accompanies a present to the Mikado, record the origin of the race, and at the same time typify the dignity of simple industry.

Of course I consented to receive the visitor, and with the mercury at 84°, five men, two boys, and five women entered my small, low room, and after bowing to the earth three times, sat down on the floor. They had evidently come to spend the afternoon. Trays of tea and sweetmeats were handed round, and a tabako-bon was brought in, and they all smoked, as I had told Ito that all usual courtesies were to be punctiliously performed. They expressed their gratification at seeing so “honourable” a traveller. I expressed mine at seeing so much of their “honourable” country. Then we all bowed profoundly. Then I laid Brunton's map on the floor and showed them my route, showed them the Asiatic Society's Transactions, and how we read from left to right, instead of from top to bottom, showed them my knitting, which amazed them, and my Berlin work, and then had nothing left. Then they began to entertain me, and I found that the real object of their visit was to exhibit an “infant prodigy,” a boy of four, with a head shaven all but a tuft on the top, a face of preternatural thoughtfulness and gravity, and the self-possessed and dignified demeanour of an elderly man.

Type
Chapter
Information
Unbeaten Tracks in Japan
Revisiting Isabella Bird
, pp. 165 - 169
Publisher: Amsterdam University Press
Print publication year: 2018

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