Aino Clothing—Holiday Dress—Domestic Architecture—Household Gods—Japanese Curios—The Necessaries of Life—Clay Soup—Arrow Poison—Arrow-Traps—Female Occupations—Bark Cloth—The Art of Weaving.

AINO clothing, for savages, is exceptionally good. In the winter it consists of one, two, or more coats of skins, with hoods of the same, to which the men add rude moccasins when they go out hunting. In summer they wear kimonos, or loose coats, made of cloth woven from the split bark of a forest tree. This is a durable and beautiful fabric in various shades of natural buff, and somewhat resembles whatis known to fancy workers as “ Panama canvas.” Under this a skin or bark-cloth vest may or may not be worn. The men wear these coats reaching a little below the knees, folded over from right to left, and confined at the waist by a narrow girdle of the same cloth, to which is attached a rude, dagger-shaped knife, with a carved and engraved wooden handle and sheath. Smoking is by no means a general practice ; consequently the pipe and tobacco-box are not, as with thejapanese, apart of ordinary male attire. Tightly-fitting leggings, either of bark-cloth or skin, are worn by both sexes, but neither shoes nor sandals. The coat worn by the women reaches half-way between the knees and ankles, and is quite loose and without a girdle. It is fastened the whole way up to the collar-bone; and not only is the Aino woman completely covered, but she will not change one garment for another except alone or in the dark. Lately ajapanese woman at Sarufuto took an Aino woman into her house, and insisted on her taking a bath, which she absolutely refused to do till the bath-house had been made quite private by means of screens. On the Japanese woman going back a little later to see what had become of her, she found her sitting in the water in her clothes; and on being remonstrated with, she said that the gods would be angry if they saw her without clothes !

Many of the garments for holiday occasions are exceedingly handsome, being decorated with “ geometrical ” patterns, in which the “ Greek fret ” takes part, in coarse blue cotton, braided most dexterously with scarlet and white thread.