Book contents
- Frontmatter
- Dedication
- Contents
- Author’s Preface to the English Edition
- The Kanasaka Commentaries
- Unbeaten Tracks in Japan
- Preface
- Contents
- List of Illustrations
- Letter I: First Impressions • Letter I
- Letter II: The Old and the New • Letter II
- Letter III: Yedo • Letter III
- Letter IV: Chinese and Servants • Letter VI
- Letter V: Worship • Letter VIII
- Letter VI: The Journey Begun • Letter IX
- Letter VI (Continued): From Kasukabé to Nikkô • Letter IX (Continued)
- Letter VII: Kanaya’s House • Letter X
- Letter VIII: Nikkô • Letter XI
- Letter IX: A Watering - Place • Letter XII
- Letter X: Domestic Life • Letter XIII
- Letter X. - (Continued.): Evening Employments • Letter XIII (Continued)
- Letter X. - (Completed): Shopping • Letter XIII (Completed.)
- Letter XL: Scant Costumes • Letter XIV
- Letter XII: Dirt and Disease • Letter XV
- Letter XII-(Concluded): High Farming • Letter XV (Concluded)
- Letter XIII: A Malarious District • Letter XVI
- Letter XIV: Extreme Filthiness • Letter XVII
- Letter XV: A River Journey • Letter XVIII
- Letter XVI: Niigata • Letter XX
- Letter XVII: Discomforts • Letter XXII
- Letter XVIII: A Prosperous District • Letter XXIII
- Letter XIX: A Japanese Doctor • Letter XXIV
- LETTER XX: A FEARFUL DISEASE • LETTER XSN
- LETTER XX.—(Continued?): FUNERAL CEREMONIES • LETTER XXV {Continued)
- Letter XX.—(Concluded): Policemen • Letter XXV (Concluded.)
- Letter XXI: A Hospital Visit • Letter XXVI
- Letter XXII: The Police Force • Letter XXVII
- Letter XXIII: ITO’S Virtues And Faults • Letter XXVIII
- Letter XXIV: A Wedding Ceremony • Letter XXIX
- Letter XXV: A Holiday • Letter XXX
- Letter XXVI: A Narrow Escape • Letter XXXI
- Letter XXVII: Shirasawa • Letter XXXII
- Letter XXVIII: An Inundation • Letter XXXIII
- Letter XXVIII: – (Continued) Children’s Games • Letter XXXIII (Continued)
- Letter XXIX: The Tanabata • Letter XXXIV
- Letter XXX: Popular Superstitions • Letter XXXV
- Letter XXXI: Primitive Simplicity • Letter XXXVI
- Letter XXXII: End of the Journey • Letter XXXVII
- Letter XXXIII: The Mission WorK • Letter XXXVIII
- Letter XXXIV: HakodatÉ • Letter XXXIX
- Letter XXXV: A Change of Scenery • Letter XL
- Letter XXXV.—(continued.): A Meeting • Letter XL (continued.)
- Letter XXXVI: Living with the Ainos • Letter XLI
- Letter XXXVI—(Continued.): Aino Hospitality • Letter XLI (Continued.)
- Letter XXXVII: Savage Life • Letter XLII
- Letter XXXVII.—(Continued.): Costume and Customs • Letter XLII (Continued.)
- Letter XXXVII. -(Continued.): Religion of Ainos • Letter XLII (Continued.)
- Letter XXXVIII: A Tipsy Scene • Letter XLIII
- Letter XXXIX: Visit to a Volcano • Letter XLIV
- Letter XXXIX. — (Continued.): A Wet Trip • Letter XLIV (Continued.)
- Letter XL: A Surprise • Letter XLV
- Letter XL.—(Continued.): Solitude • Letter XLV (Continued.)
- Letter XLI: The Missing Link • Letter XLVI
- Letter XLII: Compliments • Letter XLVIII
- Letter XLIII: A Cyclone • Letter XLIX
- Letter XLIV: Cremation • Letter LIX
- Index
- Mr. Murray's General List of Works
Letter V: Worship • Letter VIII
Published online by Cambridge University Press: 26 May 2022
- Frontmatter
- Dedication
- Contents
- Author’s Preface to the English Edition
- The Kanasaka Commentaries
- Unbeaten Tracks in Japan
- Preface
- Contents
- List of Illustrations
- Letter I: First Impressions • Letter I
- Letter II: The Old and the New • Letter II
- Letter III: Yedo • Letter III
- Letter IV: Chinese and Servants • Letter VI
- Letter V: Worship • Letter VIII
- Letter VI: The Journey Begun • Letter IX
- Letter VI (Continued): From Kasukabé to Nikkô • Letter IX (Continued)
- Letter VII: Kanaya’s House • Letter X
- Letter VIII: Nikkô • Letter XI
- Letter IX: A Watering - Place • Letter XII
- Letter X: Domestic Life • Letter XIII
- Letter X. - (Continued.): Evening Employments • Letter XIII (Continued)
- Letter X. - (Completed): Shopping • Letter XIII (Completed.)
- Letter XL: Scant Costumes • Letter XIV
- Letter XII: Dirt and Disease • Letter XV
- Letter XII-(Concluded): High Farming • Letter XV (Concluded)
- Letter XIII: A Malarious District • Letter XVI
- Letter XIV: Extreme Filthiness • Letter XVII
- Letter XV: A River Journey • Letter XVIII
- Letter XVI: Niigata • Letter XX
- Letter XVII: Discomforts • Letter XXII
- Letter XVIII: A Prosperous District • Letter XXIII
- Letter XIX: A Japanese Doctor • Letter XXIV
- LETTER XX: A FEARFUL DISEASE • LETTER XSN
- LETTER XX.—(Continued?): FUNERAL CEREMONIES • LETTER XXV {Continued)
- Letter XX.—(Concluded): Policemen • Letter XXV (Concluded.)
- Letter XXI: A Hospital Visit • Letter XXVI
- Letter XXII: The Police Force • Letter XXVII
- Letter XXIII: ITO’S Virtues And Faults • Letter XXVIII
- Letter XXIV: A Wedding Ceremony • Letter XXIX
- Letter XXV: A Holiday • Letter XXX
- Letter XXVI: A Narrow Escape • Letter XXXI
- Letter XXVII: Shirasawa • Letter XXXII
- Letter XXVIII: An Inundation • Letter XXXIII
- Letter XXVIII: – (Continued) Children’s Games • Letter XXXIII (Continued)
- Letter XXIX: The Tanabata • Letter XXXIV
- Letter XXX: Popular Superstitions • Letter XXXV
- Letter XXXI: Primitive Simplicity • Letter XXXVI
- Letter XXXII: End of the Journey • Letter XXXVII
- Letter XXXIII: The Mission WorK • Letter XXXVIII
- Letter XXXIV: HakodatÉ • Letter XXXIX
- Letter XXXV: A Change of Scenery • Letter XL
- Letter XXXV.—(continued.): A Meeting • Letter XL (continued.)
- Letter XXXVI: Living with the Ainos • Letter XLI
- Letter XXXVI—(Continued.): Aino Hospitality • Letter XLI (Continued.)
- Letter XXXVII: Savage Life • Letter XLII
- Letter XXXVII.—(Continued.): Costume and Customs • Letter XLII (Continued.)
- Letter XXXVII. -(Continued.): Religion of Ainos • Letter XLII (Continued.)
- Letter XXXVIII: A Tipsy Scene • Letter XLIII
- Letter XXXIX: Visit to a Volcano • Letter XLIV
- Letter XXXIX. — (Continued.): A Wet Trip • Letter XLIV (Continued.)
- Letter XL: A Surprise • Letter XLV
- Letter XL.—(Continued.): Solitude • Letter XLV (Continued.)
- Letter XLI: The Missing Link • Letter XLVI
- Letter XLII: Compliments • Letter XLVIII
- Letter XLIII: A Cyclone • Letter XLIX
- Letter XLIV: Cremation • Letter LIX
- Index
- Mr. Murray's General List of Works
Summary
Kwan-non Temple—Uniformly of Temple Architecture—A Jxuruma Expedition—A Perpetual Festival—The Ni-ô—The Limbo of Vanity—Heathen Prayers—Binzuru—A Group of Devils—Archery Galleries—New Japan —An Élégante.
H. B. M.'s Legation, Yedo, June 9.
ONCE for all I will describe a Buddhist temple, and it shall be the popular temple of Asakusa, which keeps fair and festival the whole year round, and is dedicated to the “thousandarmed” Kwan-non, the goddess of mercy. Writing generally, it may be said that in design, roof, and general aspect, Japanese Buddhist temples are all alike. The sacred architectural idea expresses itself in nearly the same form always. There is a single or double-roofed gateway, with highly-coloured figures in niches on either side; the paved templecourt, with more or fewer stone or bronze lanterns; mon«, or heavenly dogs, in stone on stone pedestals; stone sarcophagi, roofed over or not, for holy water; a flight of steps; a portico, continued as a verandah all round the temple; a roof of tremendously disproportionate size and weight, with a peculiar curve; a square or oblong hall divided by a railing from a” chancel “ with a high and low altar, and a shrine containing Buddha, or the divinity to whom the chapel is dedicated; an incense-bumer, and a few ecclesiastical ornaments. The symbols, idols, and adornments depend upon the sect to which the temple belongs, or the wealth of its votaries, or the fancy of the priests. Some temples are packed full of gods, shrines, banners, bronzes, brasses, tablets, and ornaments, and others, like those of the Monto sect, are so severely simple, that with scarcely an alteration they might be used for Christian worship to-morrow.
The foundations consist of square stones on which the uprights rest. These are of elm, and are united at intervals by longitudinal pieces. The great size and enormous weight of the roofs arise from the trusses being formed of one heavy frame being built upon another in diminishing squares till the top is reached, the main beams being formed of very large timbers put on in their natural state. They are either very heavily and ornamentally tiled, or covered with sheet copper ornamented with gold, or thatched to a depth of from one to three feet, with fine shingles or bark.
- Type
- Chapter
- Information
- Unbeaten Tracks in JapanRevisiting Isabella Bird, pp. 21 - 31Publisher: Amsterdam University PressPrint publication year: 2018