Book contents
- Frontmatter
- Contents
- Preface
- Abbreviations
- A Editions
- B Problems of Editing
- C Bibliography
- D Critical Reviews of Scholarship
- E General Studies on Chrétien
- F Rhetoric, Poetics, and Stylistics
- G Topos, Motif, and Image
- H Romance Narrative: Form – Structure – Characterization – Genre
- J Allegory and Symbolism
- K Language and Linguistics
- L Adaptation and Intertextuality
- M Learned Sources
- N Non-Learned Sources
- P Influences
- Q Literary History and Sociology
- R Biography and Chronology
- S Problems of Courtly Love
- T The Grail
- U Modern Interpretative Methodologies and Approaches
- V The Chansons
- W Works of Disputed Attribution
- X Illustration
- Index of Authors, Editors and Translators
- Index of Romances
- RESEARCH BIBLIOGRAPHIES AND CHECKLISTS NEW SERIES
- Frontmatter
- Contents
- Preface
- Abbreviations
- A Editions
- B Problems of Editing
- C Bibliography
- D Critical Reviews of Scholarship
- E General Studies on Chrétien
- F Rhetoric, Poetics, and Stylistics
- G Topos, Motif, and Image
- H Romance Narrative: Form – Structure – Characterization – Genre
- J Allegory and Symbolism
- K Language and Linguistics
- L Adaptation and Intertextuality
- M Learned Sources
- N Non-Learned Sources
- P Influences
- Q Literary History and Sociology
- R Biography and Chronology
- S Problems of Courtly Love
- T The Grail
- U Modern Interpretative Methodologies and Approaches
- V The Chansons
- W Works of Disputed Attribution
- X Illustration
- Index of Authors, Editors and Translators
- Index of Romances
- RESEARCH BIBLIOGRAPHIES AND CHECKLISTS NEW SERIES
Summary
This new section recognizes the greater attention being paid to the manuscript as artifact, performance, or objet d'art itself. Xb is broader than Xa, since extra-manuscript illustration may still relate to reception of Chrétien's romance through intermediaries in other languages. On gestures in illustrations, see François Garnier, Le Langage de l'image au Moyen Age: I. Signification et symbolique. II. Grammaire des gestes, 2 vols (Paris: Léopard d'Or, 1982–89), as well as Ba and Ld.
In Manuscript and Text
1 Brown, Arthur C. L., [A note on Perceval's two javelins], MLN, 40 (1925), 70.
2 Frühmorgen-Voss, Hella, Text und Illustration im Mittelalter: Aufsätze zu den Wechselbeziehungen zwischen Literatur und bildender Kunst, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters, 50 (Munich: Beck, 1975). (XXVIII.26)
See the Introduction by Norbert H. Ott, ‘Text und Illustration im Mittelalter’ (pp. ix–xxi); and Chap. 1: ‘Mittelhochdeutsche weltliche Literatur und ihre Illustration: ein Beitrag zur Überlieferungsgeschichte’ (pp. 1–56).
See Pb183 Schupp.
3 Barber, Richard, The Arthurian Legends: An Illustrated Anthology (Woodbridge: Boydell, 1979), Chap. 6: ‘Yvain or the Knight with the Lion by Chrétien de Troyes: Yvain Wins Laudine.’ (XXXII.150, 402).
4 Wells, David A., ‘Die Ikonographie von Daniel IV und der Wahnsinn des Löwenritters,’ in Festschrift Asher, pp. 39–57. (XXXIV.56)
See Ga36 Bullock-Davies.
See Qa70 Stiennon.
See Gc13 Monde animal.
5 Dinzelbacher, Peter, ‘The Way to the Other World in Medieval Literature and Art,’ Folklore, 97 (1986), 70–87. (XXXIX.56)
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- Chrétien de TroyesAn Analytic Bibliography: Supplement I, pp. 540 - 546Publisher: Boydell & BrewerPrint publication year: 2002