Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-vsgnj Total loading time: 0 Render date: 2024-07-20T20:59:41.760Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

6 - Conversation and ‘Enlightened Philosophy’: The ‘Dialectical Comedies’ of Thomas Love Peacock and Imaginary Conversations (1824–9) of Walter Savage Landor

Get access

Summary

Although the increasingly ‘critical attitude’ of the reading public had been largely fuelled by the unrelenting dissemination of fiercely competing and frequently highly didactic discourses of the Revolution Controversy, overtly moralizing religious propaganda, and the didactic dissemination of all ‘received ideologies’ (as Jonathan Rose has demonstrated), suspicions about competing claims to truth in this period also had their origins in an increasing disdain for the earlier influences of ‘New Rhetoricians’ such as George Campbell, Joseph Priestley and Hugh Blair. ‘New Rhetoricians’ attempted, in the words of Campbell's The Philosophy of Rhetoric (1776)

from the science of human nature, to ascertain with greater precision, the radical principles of that art, whose object it is, by the use of language, to operate on the soul of the hearer, in the way of informing, convincing, pleasing, moving, or persuading.

By the end of the eighteenth century, however, such tactics came to be viewed with the same mounting scepticism as that being bestowed upon didacticism. For Coleridge, rhetorical principles aimed specifically at ‘convincing, pleasing, moving, or persuading’ could effectively reason anybody into believing anything – just as the ‘eristic’ methods of the Sophists in Plato's dialogues had demonstrated. As James Mulvihill has observed, because of such ‘false rationalism’ and

sensationalism … the sophist may pass off as plausible what is untenable, positing probable identity among categorically distinct terms so that even absolute qualities may seem to meet ‘half way’.

Type
Chapter
Information
Dialogue, Didacticism and the Genres of Dispute
Literary Dialogues in the Age of Revolution
, pp. 187 - 216
Publisher: Pickering & Chatto
First published in: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×