Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-22T17:10:41.344Z Has data issue: false hasContentIssue false

Chapter 5 - Romance for Television

The BBC Cymbeline

Published online by Cambridge University Press:  16 June 2017

By
Robert S. White
Edited by
Sarah Hatchuel  and
Nathalie Vienne-Guerrin
Sarah Hatchuel
Affiliation:
Université du Havre, France
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
Get access
Type
Chapter
Information
Shakespeare on Screen
<I>The Tempest</I> and Late Romances
 , pp. 71 - 90
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Cooke, L., British Television Drama: A History (London: British Film Institute, 2003).Google Scholar
Greenhalgh, S., ‘UK Television’, in Burt, R. (ed.), Shakespeares After Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture (Westport, CT: Greenwood Press, 2007), 2 vols, vol. 2, 651–732.Google Scholar
Hazlitt, William, Hazlitt's Criticism of Shakespeare, ed. White, R. S. (Lewiston: Edwin Mellen Press, 1996).Google Scholar
Hunter, G. K., ‘The BBC All's Well That Ends Well’, in Bulman, J. C. and Coursen, H. R. (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (Hanover: University Press of New England, 1988), 185–7.Google Scholar
Jones, G. P., ‘Nahum Tate is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions’, in Bulman, J. C. and Coursen, H. R. (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (Hanover: University Press of New England, 1988), 192–9.Google Scholar
Moshinsky, E. and Elsom, J., ‘Does Shakespeare Write Better for Television?’, in Elsom, J. (ed.), Is Shakespeare Still Our Contemporary? (London: Routledge, 1989), 114–39.Google Scholar
Moshinsky, E., Interview with Henry Fenwick, Radio Times, 9–15 July 1983, 4–5.Google Scholar
Murray, T., Drama Trauma: Spectres of Race and Sexuality in Performance, Video and Art (London: Routledge, 1997).Google Scholar
Rothwell, K. S., Early Shakespeare Films: How the Spurned Spawned Art (Stratford-upon-Avon: International Shakespeare Association, 2000).Google Scholar
Waller, G. F., ‘Decentring the Bard: the BBC Shakespeare and Some Implications for Criticism and Teaching’, in Bulman, J. C. and Coursen, H. R. (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (Hanover: University Press of New England, 1988), 18–30.Google Scholar
Warren, R., Cymbeline: Shakespeare in Performance (Manchester: Manchester University Press, 1989).Google Scholar
White, R. S., ‘All's Well as Television: The 1980 Moshinsky Production’, in Waller, Gary (ed.), All's Well That Ends Well: New Critical Essays (New York: Routledge, 2007), 234–46.Google Scholar
Wilders, J. ‘Shakespeare with No Audience’, in White, R. S. et al. (ed.), Shakespeare: Readers, Audiences, Players (Nedlands: University of Western Australia Press, 1998), 56–63.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×