Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-23T01:45:44.128Z Has data issue: false hasContentIssue false

Chapter 14 - Almereyda's Cymbeline

The End of Teen Shakespeare

Published online by Cambridge University Press:  16 June 2017

Sarah Hatchuel
Affiliation:
Université du Havre, France
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
Get access
Type
Chapter
Information
Shakespeare on Screen
<I>The Tempest</I> and Late Romances
, pp. 232 - 250
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Burnett, M. T., ‘“To Hear and See the Matter”: Communicating Technology in Michael Almereyda's Hamlet’, Cinema Journal 42:3 (Spring 2003), 4869.CrossRefGoogle Scholar
Cook, P.Michael Almereyda's Hamlet: Uncanny Imagination’, Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda (Athens, OH: Ohio University Press, 2011), 161216.CrossRefGoogle Scholar
Donaldson, P., ‘Hamlet among the Pixelvisionaries: Video Art, Authenticity and Wisdom in Michael Almereyda's Hamlet’, in Henderson, D. (ed.), A Concise Companion to Shakespeare on Screen (Oxford: Blackwell, 2006), 216–37.Google Scholar
Frank, T. C., The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism (Chicago: University of Chicago Press, 1997).CrossRefGoogle Scholar
Greif, M., Ross, K., and Tortorici, D. (eds.), What was the Hipster? A Sociological Investigation (New York: n+1 Foundation, 2010).Google Scholar
Henke, K., ‘Postmodern Authenticity and the Hipster Identity’, Forbes & Fifth (2013), 117–28.CrossRefGoogle Scholar
Jordan, C., Shakespeare's Monarchies: Ruler and Subject in the Romances (Ithaca: Cornell University Press, 1997).Google Scholar
King, R., Cymbeline: Constructions of Britain (Aldershot: Ashgate, 2005).Google Scholar
Kinzey, J., The Sacred and the Profane: An Investigation of Hipsters (Alresford, Hants, UK: Zero Books, 2010).Google Scholar
Ko, Y. J., ‘“The Mousetrap” and Remembrance in Michael Almereyda's Hamlet’, Shakespeare Bulletin 23:4 (2005), 1932.Google Scholar
Lanier, D. M., ‘Shakescorp Noir’, Shakespeare Quarterly 53:2 (2002), 157–80.CrossRefGoogle Scholar
Lockey, B., ‘Roman Conquest and English Legal Identity in Cymbeline’, Journal for Early Modern Cultural Studies 3:1 (2003), 113–46.CrossRefGoogle Scholar
Maley, W., ‘Postcolonial Shakespeare: British Identity Formation and Cymbeline’, in Richards, J. and Knowles, J. (eds.), Shakespeare's Late Plays: New Readings (Edinburgh: Edinburgh University Press, 1999), 145–57.Google Scholar
Rowe, K., ‘“Remember Me”: Technologies of Memory in Michael Almereyda's Hamlet’, in Burt, R. and Boose, L. (eds.), Shakespeare, the Movie, II: Popularizing the Plays on Film, Television, Video, and DVD (New York: Routledge, 2003), 3755.Google Scholar
Schiermer, B., ‘Late-modern hipsters: New tendencies in popular culture’, Acta Sociologica 57:2 (May 2014), 167–81.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×