Book contents
- Frontmatter
- Dedication
- Contents
- Author’s Preface to the English Edition
- The Kanasaka Commentaries
- Unbeaten Tracks in Japan
- Preface
- Contents
- List of Illustrations
- Letter I: First Impressions • Letter I
- Letter II: The Old and the New • Letter II
- Letter III: Yedo • Letter III
- Letter IV: Chinese and Servants • Letter VI
- Letter V: Worship • Letter VIII
- Letter VI: The Journey Begun • Letter IX
- Letter VI (Continued): From Kasukabé to Nikkô • Letter IX (Continued)
- Letter VII: Kanaya’s House • Letter X
- Letter VIII: Nikkô • Letter XI
- Letter IX: A Watering - Place • Letter XII
- Letter X: Domestic Life • Letter XIII
- Letter X. - (Continued.): Evening Employments • Letter XIII (Continued)
- Letter X. - (Completed): Shopping • Letter XIII (Completed.)
- Letter XL: Scant Costumes • Letter XIV
- Letter XII: Dirt and Disease • Letter XV
- Letter XII-(Concluded): High Farming • Letter XV (Concluded)
- Letter XIII: A Malarious District • Letter XVI
- Letter XIV: Extreme Filthiness • Letter XVII
- Letter XV: A River Journey • Letter XVIII
- Letter XVI: Niigata • Letter XX
- Letter XVII: Discomforts • Letter XXII
- Letter XVIII: A Prosperous District • Letter XXIII
- Letter XIX: A Japanese Doctor • Letter XXIV
- LETTER XX: A FEARFUL DISEASE • LETTER XSN
- LETTER XX.—(Continued?): FUNERAL CEREMONIES • LETTER XXV {Continued)
- Letter XX.—(Concluded): Policemen • Letter XXV (Concluded.)
- Letter XXI: A Hospital Visit • Letter XXVI
- Letter XXII: The Police Force • Letter XXVII
- Letter XXIII: ITO’S Virtues And Faults • Letter XXVIII
- Letter XXIV: A Wedding Ceremony • Letter XXIX
- Letter XXV: A Holiday • Letter XXX
- Letter XXVI: A Narrow Escape • Letter XXXI
- Letter XXVII: Shirasawa • Letter XXXII
- Letter XXVIII: An Inundation • Letter XXXIII
- Letter XXVIII: – (Continued) Children’s Games • Letter XXXIII (Continued)
- Letter XXIX: The Tanabata • Letter XXXIV
- Letter XXX: Popular Superstitions • Letter XXXV
- Letter XXXI: Primitive Simplicity • Letter XXXVI
- Letter XXXII: End of the Journey • Letter XXXVII
- Letter XXXIII: The Mission WorK • Letter XXXVIII
- Letter XXXIV: HakodatÉ • Letter XXXIX
- Letter XXXV: A Change of Scenery • Letter XL
- Letter XXXV.—(continued.): A Meeting • Letter XL (continued.)
- Letter XXXVI: Living with the Ainos • Letter XLI
- Letter XXXVI—(Continued.): Aino Hospitality • Letter XLI (Continued.)
- Letter XXXVII: Savage Life • Letter XLII
- Letter XXXVII.—(Continued.): Costume and Customs • Letter XLII (Continued.)
- Letter XXXVII. -(Continued.): Religion of Ainos • Letter XLII (Continued.)
- Letter XXXVIII: A Tipsy Scene • Letter XLIII
- Letter XXXIX: Visit to a Volcano • Letter XLIV
- Letter XXXIX. — (Continued.): A Wet Trip • Letter XLIV (Continued.)
- Letter XL: A Surprise • Letter XLV
- Letter XL.—(Continued.): Solitude • Letter XLV (Continued.)
- Letter XLI: The Missing Link • Letter XLVI
- Letter XLII: Compliments • Letter XLVIII
- Letter XLIII: A Cyclone • Letter XLIX
- Letter XLIV: Cremation • Letter LIX
- Index
- Mr. Murray's General List of Works
Letter II: The Old and the New • Letter II
Published online by Cambridge University Press: 26 May 2022
- Frontmatter
- Dedication
- Contents
- Author’s Preface to the English Edition
- The Kanasaka Commentaries
- Unbeaten Tracks in Japan
- Preface
- Contents
- List of Illustrations
- Letter I: First Impressions • Letter I
- Letter II: The Old and the New • Letter II
- Letter III: Yedo • Letter III
- Letter IV: Chinese and Servants • Letter VI
- Letter V: Worship • Letter VIII
- Letter VI: The Journey Begun • Letter IX
- Letter VI (Continued): From Kasukabé to Nikkô • Letter IX (Continued)
- Letter VII: Kanaya’s House • Letter X
- Letter VIII: Nikkô • Letter XI
- Letter IX: A Watering - Place • Letter XII
- Letter X: Domestic Life • Letter XIII
- Letter X. - (Continued.): Evening Employments • Letter XIII (Continued)
- Letter X. - (Completed): Shopping • Letter XIII (Completed.)
- Letter XL: Scant Costumes • Letter XIV
- Letter XII: Dirt and Disease • Letter XV
- Letter XII-(Concluded): High Farming • Letter XV (Concluded)
- Letter XIII: A Malarious District • Letter XVI
- Letter XIV: Extreme Filthiness • Letter XVII
- Letter XV: A River Journey • Letter XVIII
- Letter XVI: Niigata • Letter XX
- Letter XVII: Discomforts • Letter XXII
- Letter XVIII: A Prosperous District • Letter XXIII
- Letter XIX: A Japanese Doctor • Letter XXIV
- LETTER XX: A FEARFUL DISEASE • LETTER XSN
- LETTER XX.—(Continued?): FUNERAL CEREMONIES • LETTER XXV {Continued)
- Letter XX.—(Concluded): Policemen • Letter XXV (Concluded.)
- Letter XXI: A Hospital Visit • Letter XXVI
- Letter XXII: The Police Force • Letter XXVII
- Letter XXIII: ITO’S Virtues And Faults • Letter XXVIII
- Letter XXIV: A Wedding Ceremony • Letter XXIX
- Letter XXV: A Holiday • Letter XXX
- Letter XXVI: A Narrow Escape • Letter XXXI
- Letter XXVII: Shirasawa • Letter XXXII
- Letter XXVIII: An Inundation • Letter XXXIII
- Letter XXVIII: – (Continued) Children’s Games • Letter XXXIII (Continued)
- Letter XXIX: The Tanabata • Letter XXXIV
- Letter XXX: Popular Superstitions • Letter XXXV
- Letter XXXI: Primitive Simplicity • Letter XXXVI
- Letter XXXII: End of the Journey • Letter XXXVII
- Letter XXXIII: The Mission WorK • Letter XXXVIII
- Letter XXXIV: HakodatÉ • Letter XXXIX
- Letter XXXV: A Change of Scenery • Letter XL
- Letter XXXV.—(continued.): A Meeting • Letter XL (continued.)
- Letter XXXVI: Living with the Ainos • Letter XLI
- Letter XXXVI—(Continued.): Aino Hospitality • Letter XLI (Continued.)
- Letter XXXVII: Savage Life • Letter XLII
- Letter XXXVII.—(Continued.): Costume and Customs • Letter XLII (Continued.)
- Letter XXXVII. -(Continued.): Religion of Ainos • Letter XLII (Continued.)
- Letter XXXVIII: A Tipsy Scene • Letter XLIII
- Letter XXXIX: Visit to a Volcano • Letter XLIV
- Letter XXXIX. — (Continued.): A Wet Trip • Letter XLIV (Continued.)
- Letter XL: A Surprise • Letter XLV
- Letter XL.—(Continued.): Solitude • Letter XLV (Continued.)
- Letter XLI: The Missing Link • Letter XLVI
- Letter XLII: Compliments • Letter XLVIII
- Letter XLIII: A Cyclone • Letter XLIX
- Letter XLIV: Cremation • Letter LIX
- Index
- Mr. Murray's General List of Works
Summary
Sir Harry Parkes—An “Ambassador's Carriage”—Cart Coolies.
YOKOHAMA, May 22.
TO-DAY has been spent in making new acquaintances, instituting a search for a servant and a pony, receiving many offers of help, asking questions and receiving from different people answers which directly contradict each other. Hours are early. Thirteen people called on me before noon. Ladies drive themselves about the town in small pony carriages attended by running grooms called bettos. The foreign merchants keep kurumas constantly standing at their doors, finding a willing, intelligent coolie much more serviceable than a lazy, fractious, capricious Japanese pony, and even the dignity of an “Ambassador Extraordinary and Minister Plenipotentiary” is not above such a lowly conveyance, as I have seen to-day. My last visitors were Sir Harry and Lady Parkes, who brought sunshine and kindliness into the room, and left, it behind them. Sir Harry is a young-looking man scarcely in middle life, slight, active, fair, blue-eyed, a thorough. Saxon, with sunny hair and a sunny smile, a sunshiny geniality in his manner, and bearing no trace in his appearance of his thirty years of service in the East, his sufferings in the prison at. Peking, and the various attempts upon his life in Japan. He and Lady Parkes were most, truly kind, and encourage me so heartily in my largest, projects for travelling in the interior, that. I shall start, as soon as I have secured a servant. When they went, away they jumped into kurumas, and it was most, amusing to see the representative of England hurried down the street, in a perambulator with a tandem of coolies.
As I look out. of the window I see heavy, two-wheeled man carts drawn and pushed by four men each, on which nearly all goods, stones for building, and all else, are carried. The two men who pull press with hands and thighs against a cross-bar at the end of a heavy pole, and the two who push apply their shoulders to beams which project behind, using their thick, smoothly-shaven skulls as the motive power when they push their heavy loads uphill. Their cry is impressive and melancholy.
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- Unbeaten Tracks in JapanRevisiting Isabella Bird, pp. 8 - 9Publisher: Amsterdam University PressPrint publication year: 2018