Book contents
- Frontmatter
- CONTENTS
- Acknowledgements
- Introduction
- Select Bibliography
- Note on the Texts
- Marie Jeanne Riccoboni, Letters from Juliet Lady Catesby, to her Friend Lady Henrietta Campley, trans. Frances Brooke
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII
- LETTER XXXIX
- Françoise de Graffigny, The Peruvian Letters, trans. Miss R. Roberts
- PREFACE
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII, and last
- Volume II
- LETTER XXXIX
- LETTER XL
- LETTER XLI
- LETTER XLII
- LETTER XLIII
- LETTER XLIV
- LETTER XLV
- LETTER XLVI
- LETTER XLVII
- LETTER XLVIII
- LETTER XLIX
- LETTER L
- LETTER LI
- LETTER LII
- LETTER LIII
- LETTER LIV
- LETTER LV
- LETTER LVI
- LETTER LVII
- LETTER LVIII
- LETTER LIX
- LETTER LX
- LETTER LXI
- LETTER LXII
- LETTER LXIII
- LETTER LXIV
- LETTER LXV
- LETTER LXVI
- LETTER LXVII
- Editorial Notes
- Textual Variants
- Silent Corrections
LETTER VI
- Frontmatter
- CONTENTS
- Acknowledgements
- Introduction
- Select Bibliography
- Note on the Texts
- Marie Jeanne Riccoboni, Letters from Juliet Lady Catesby, to her Friend Lady Henrietta Campley, trans. Frances Brooke
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII
- LETTER XXXIX
- Françoise de Graffigny, The Peruvian Letters, trans. Miss R. Roberts
- PREFACE
- LETTER I
- LETTER II
- LETTER III
- LETTER IV
- LETTER V
- LETTER VI
- LETTER VII
- LETTER VIII
- LETTER IX
- LETTER X
- LETTER XI
- LETTER XII
- LETTER XIII
- LETTER XIV
- LETTER XV
- LETTER XVI
- LETTER XVII
- LETTER XVIII
- LETTER XIX
- LETTER XX
- LETTER XXI
- LETTER XXII
- LETTER XXIII
- LETTER XXIV
- LETTER XXV
- LETTER XXVI
- LETTER XXVII
- LETTER XXVIII
- LETTER XXIX
- LETTER XXX
- LETTER XXXI
- LETTER XXXII
- LETTER XXXIII
- LETTER XXXIV
- LETTER XXXV
- LETTER XXXVI
- LETTER XXXVII
- LETTER XXXVIII, and last
- Volume II
- LETTER XXXIX
- LETTER XL
- LETTER XLI
- LETTER XLII
- LETTER XLIII
- LETTER XLIV
- LETTER XLV
- LETTER XLVI
- LETTER XLVII
- LETTER XLVIII
- LETTER XLIX
- LETTER L
- LETTER LI
- LETTER LII
- LETTER LIII
- LETTER LIV
- LETTER LV
- LETTER LVI
- LETTER LVII
- LETTER LVIII
- LETTER LIX
- LETTER LX
- LETTER LXI
- LETTER LXII
- LETTER LXIII
- LETTER LXIV
- LETTER LXV
- LETTER LXVI
- LETTER LXVII
- Editorial Notes
- Textual Variants
- Silent Corrections
Summary
What a dreadful surprise, my dear Aza! how are our evils increased! how deplorable is our situation! our misfortunes are without remedy: I have only to let you know them, and die.
At last they permitted me to rise, and I hastily availed myself of that liberty. I ran to a small window, which I opened with all the precipitation which my curiosity inspired. What did I see? dear love of my life, I cannot find expressions to paint the excess of my astonishment and the mortal despair that seized me, when I discovered nothing around us but that terrible element, the sight of which makes me tremble.
My first glance but too well informed me what occasioned the troublesome motion of our dwelling. I am in one of those floating-houses which the Spaniards made use of to arrive at our unhappy country, and of which a very imperfect description had been given me.
Conceive, my dear Aza, what sad ideas entered my soul, with this fatal knowlege. I am certain they are bearing me from you: I breathe no more the same air, nor do I inhabit the same element. You will for ever be ignorant where I am, whether I love you, whether I exist; even the loss of my being will not appear an event considerable enough to be carried to you. Dear arbiter of my days, what value can my future life be of to you? Permit me then to render to the divinity an existence which I can no more enjoy, and which I can no longer support: My eyes will never behold you again, and they shall cease to see any other object.
In losing what I love, the world is lost to me; it is now nothing but a vast desert, which I make echo with my cries. Hear them, dear source of my tenderness, feel for me, and suffer me to die. What illusion deceives me, my dear Aza! it is not you that calls me to live, it is my fearful nature, which shuddering with horror, lends this voice, more powerful than its own, to retard a period which to us is always formidable – – but it is over, the readiest means shall deliver me from my miseries.
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- Information
- Translations and ContinuationsRiccoboni and Brooke, Graffigny and Roberts, pp. 80 - 81Publisher: Pickering & ChattoFirst published in: 2014